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Min-Woo Bang’s surfaces, lustrously built up in oil and acrylic, are both dramatic and subtle in their effect. Sometimes an under-structure reveals itself behind a small crack or drip of paint; these deliberate flaws and uneven textures are reminders of the artist’s ongoing interests in the process of time, the fragility of memory and nature’s disintegration.

The physical elements and forces of nature are interdependent in Bang's atmospheric landscapes, and the experience of nature’s decay and transformation is counter-balanced by a deep, physical and emotional connection to place.

The artist's recent work focus on majestic skyscapes, as writer and academic Dr Andrew Frost explains, "Min-Woo Bang's use of perspective, often setting his roiling clouds above mountains and forests, gently directs the viewer's eye to the centre of the picture. The artist's love of 16th and 17th century European landscape paintings can be found in these compositions, where the details of supporting scenery, say a suggestion of a tree or a branch, or even a range of mountains act as a frame to the central subject - the sky itself. And by using the Australian landscape as his key subject, Bang also suggests in his work not so much a romantic lineage, but perhaps a more gothic imagination'. (Dr Andrew Frost, The Inexhaustible Immensity of the Sky, 2018) 

Min-Woo Bang has been a finalist in numerous national art awards and prizes, including the Wynne Prize for Landscape painting (2011), the NSW Parliament Plein Air Painting Prize (2012) and the King’s School Art Prize (2013). He is one of Sydney’s emerging new talents.

Min-Woo Bang studio interview

Recent News: 

2020: John Leslie Art Prize, Finalist; Muswellbrook Art Prize, Finalist; Sydney Festival Lunar Artist.

2019: Muswellbrook Art Prize, Finalist; Hadley's Art Prize, Finalist.

2018: KAAF Art Prize, Winner of People's Choice Award; King’s School Art Prize, Finalist; Muswellbrook Art Prize, Finalist. Two works are now held in the permanent collection of the Penrith Regional Gallery & The Lewers Bequest.

2017: Muswellbrook Art Prize, Finalist; Tattersall's Landscape Art Prize, Finalist; KAAF Art Prize, Finalist

2016: Mosman Art Prize, Finalist & Winner of Mosman Council Commendation Prize; Tattersall's Club Landscape Art Prize, Finalist; Paddington Art Prize, Finalist; KAAF Art Prize, Finalist.

2015: KAAF Art Prize, Finalist; Tattersall's Landscape Art Prize, Finalist; Muswellbrook Art Prize, Finalist

2014: KAAF Art Prize, Finalist; Fishers Ghost Art Award, Finalist; Tattersall’s Landscape Art Prize, Finalist

2013: Paddington Art Prize, Finalist; King’s School Art Prize, Finalist; Snake Snake Snake: An Exhibition of Contemporary Asian Australian Artists, Sydney Town Hall, Sydney

2012: New South Wales Parliament Plein Air Painting Prize, Finalist; Tattersall’s Landscape Art Prize, Finalist; Albany Art Prize, Finalist; Gold Coast Art Prize, Finalist